7/22/2023 0 Comments Famous ephemeral art![]() Questioning print’s plasticity or ephemeral materiality as an indicator of ‘expanded print’, includes the conservation and documenting of Day-Glo, Early 20th-Century Pulp Fiction Illustration, and Miraculous Early Modern Prints in Italy.Īs part of the College Art Association’s annual conference, Sotheby’s Institute faculty Dr. From the early modern period, to artistic interest in materiality in 21st century practices, recent theoretical approaches to matter offer new insight into the production and consumption of prints historically. ![]() Understanding the material culture of ephemeral prints is a contradiction in terms, yet research into the production, function, and reception of ephemeral materials in printmaking has recently become a fertile line of enquiry. An experiment in West Coast Conceptualism, each of the portfolio’s seventy-five pages of cotton paper was permeated with an unusual pigment, which included Los Angeles tap water, Coca-Cola, sulphuric acid, and human blood. Where can I see him: Sadie Coles, Audley Street, London W1, to 16 June.Ed Ruscha’s 1969 print portfolio Stains signifies a paradigm shift in the artist’s practice, marking a departure from painting in favor of experimental printmaking using ephemeral materials. Street art: Bell finds many of the old paintings he uses at Mauerpark, the legendary flea market in his native Berlin. He transforms his fake of a fake into a trippy evocation of introspective reverie, fusing the original dark figure with a spectral waif based on a photo of a Pina Bausch dancer. Why we like him: For Untitled 2012, a reworked reproduction of what was once considered Rembrandt's greatest achievement, The Man With the Golden Helmet, before it was attributed to one of his students and denigrated as an art historical also-ran. Images and ideas shimmer and dissolve everything seems in flux, uncertain, just out of reach. At the drawing's centre stands a Blakean figure, beneath occult symbols of an eye and a crescent moon. ![]() Here the chequered pattern of the couch resurfaces, dissolving into Bell's Love icon as it unfurls across the paper. (One of Bell's references here is Tarkovsky's 1972 metaphysical sci-fi film Solaris, in which a space traveller meets the double of his dead wife.)īehind this, a huge drawing hangs, its layered forms coming in and out of focus. Swirling shapes coat its body in a silvery graphite skin, while two red teapots are positioned like planets orbiting the sun of an old lamp. A bald, partially-limbed mannequin reclines on a gutted black leather couch, rescued from the street. Its centrepiece is an idiosyncratic constellation of found detritus and the painstakingly hand-worked. ![]() References and symbols might resurface across eccentric assemblages of junk-shop finds, light works and, most recently, industrial-looking metal text sculptures and paintings that fold the letters of the word "love" into a self-enclosed logo like the VW icon.īell's current London show, Soft is Hard (Work), explores the real and the fake – be that an original artwork and a digital reproduction, an event and its memory, or a beloved and our fantasies. The mood shifts rapidly, from the gentle touch of gauzy drawings to the harsh slap of bright, messy paint. ![]()
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